Archive for August, 2007

Western pop stars hassled in Malaysia over sexy concert routines

Friday, August 24th, 2007

KUALA LUMPUR, Malaysia: Justin Timberlake boasted about "bringing sexy back" in his recent hit, but he shouldn't try that in Malaysia.

Some of the world's top pop stars are holding concerts in Muslim-majority Malaysia this year, but they're facing growing pressure to keep skimpy outfits and steamy dance moves off the stage amid protests by conservative Islamic critics who believe liberal Western performances can corrupt youths, event organizers said Wednesday.

Gwen Stefani made what she called "a major sacrifice" by donning clothes that revealed little skin at a Kuala Lumpur performance Tuesday, after Muslim students and political activists called for her concert to be scrapped because of her sexy reputation.

Promoters have announced that R&ampB superstar Beyonce, who is also known for a sultry image, is scheduled to perform on Nov. 1, amid efforts to lure other big names such as Timberlake, Kylie Minogue and Aerosmith to this Southeast Asian country in the Visit Malaysia Year 2007.

"We've informed Beyonce's management about this issue of clothes, but it takes some of the fun out of it," said Razlan Ahmad Razali, chairman of Pineapple Concerts, which is organizing Beyonce's planned concert.
"Beyonce won't be able to do the kind of show here that she does elsewhere," Razlan told The Associated Press. "She's a fashion icon, and we know that she often wears miniskirts and clothes that expose her navel during her performances. It's a pity to restrict her, because her costumes are all tasteful and glamorous."

Grammy-winning hip-hop star Kanye West faced a different problem when he came to Kuala Lumpur in April because government officials said he should not perform one of his biggest hits, "Jesus Walks," due to religious sensitivities surrounding the title, Razlan said.

Malaysia's government guidelines for public performances require a female singer to cover up from the top of her chest to her knees, including her shoulders. Performers may not hug or kiss, and their clothes must not have obscene or drug-related images or messages.

A Pussycat Dolls concert last year caused its Malaysian organizers to be fined 10,000 ringgit (US$2,857; €2,100) after the U.S. girl group was accused of flouting decency regulations.

Such concerns have made Malaysia less appealing to some stars. A concert promoter, speaking on condition of anonymity because of the sensitivity of the issue, said the hassle about clothes was one of the reasons that sultry U.S. pop diva Christina Aguilera skipped Malaysia during a recent Asian tour that included neighboring Singapore, Thailand and the Philippines.

The Pan-Malaysian Islamic Party, the country's biggest political opposition group, which accused Stefani of promoting promiscuity and corrupting youths, says it will probably protest further if Beyonce, Timberlake or Minogue perform here.

"Even with Gwen Stefani, we're not satisfied just because she covered up at the concert," said party official Kamarulzaman Mohamed. "Outside, she still wears sexy clothes and influences teenagers who idolize her. It's bad to have immoral artists visiting Malaysia."

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Sharapova’s a bad lover: Levine

Thursday, August 23rd, 2007

Talking about a brief romance with tennis star Maria Sharapova, singer Adam Levine said that she’s a bad lover.

Singer Adam Levine has revealed the intimate secrets of his romantic alliance with Maria Sharapova, calling the tennis ace a terrible lover.

The Maroon 5 frontman divulged that the Russian Wimbledon champ's bad in bed.

The pair dated briefly in 2005, after meeting at Sharapova's 18th birthday party. At all, Levine's spokesperson has dismissed the quotes as being "absolutely not true."

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Rhapsody, MTV and the iRiver clix

Thursday, August 23rd, 2007

The future of Rhapsody America, the joint venture between RealNetworks and MTV, depends to some degree on MTV's marketing prowess -- not what it once was, but better than nothing. And when it comes to marketing Rhapsody, "nothing" is a pretty good description of what Real has done. CEO Rob Glaser just doesn't like to spend money the way Steve Jobs or even Chris Gorog does.

More important, though, is for Rhapsody to show the benefits of subscribing to a service instead of collecting mp3 music. It's not clear what, if anything, MTV can do for the joint venture on that front. Subscription mp3 music services are easy to demonize -- mp3 music "rentals" that leave you empty-handed when you stop paying the monthly fee -- because the value proposition is complex when compared to the iTunes Store. The best way to convey that value is by saying that Rhapsody lets you hear anything you want to hear, anywhere you are. Unfortunately, neither part of that statement is quite true, not just yet.

Rhapsody's library is sizeable -- more than 4 million tracks from more than 150,000 250,000 artists on over 6,000 10,000 labels -- but it's not complete. MTV brings along some live content, but doesn't fill the gaps that matter the most: a handful of A-list bands, including the Beatles and Led Zeppelin, that haven't allowed their songs to be made available through subscription services.

An equally nettlesome problem for Rhapsody is the technological challenge involved in letting people take their subscriptions with them wherever they go. I'm not talking about being able to download songs through a mobile phone network enabling streaming through Verizon Wireless would be an interesting play, but that doesn't appear to be part of the deal announced by Real, MTV and Verizon on Tuesday. Instead, I'm talking about letting subscribers transfer songs to a portable device (cellphone or Ṃ player) on a temporary basis, so that they'll cease to play if and when their subscription lapses. The DRMs developed by Real and Microsoft supposedly support this kind of thing, but I've run into problems repeatedly with both. Most recently, I tried the iRiver clix Rhapsody, a $190, 4GB flash-based Ṃ player that's been optimized to work with Real's $15-a-month Rhapsody to Go service.

The clix boasts some very nice features, including the ability to load customized Rhapsody channels (read: playlists) from sub-genres or bands that match the subscriber's tastes. When all of these features work, it's a truly beautiful thing. That's because Rhapsody is a great service, and adding at least some portion of it to an Ṃ player makes it more valuable (albeit at a price Rhapsody to Go costs $2 more per month than the non-portable Rhapsody Unlimited). The system broke down repeatedly for me, At all, causing many frustrating hours of praying to the software gods to purge the demons from my loaner unit. After about a week of off-again, on-again clix madness earlier this summer, I gave up.

This really pains me, 'cause I'm a Rhapsody fan from way back. I've been a subscriber since its debut in late 2001, and that's not a comp account -- I pay for it out of my own pocket, thank you very much. (Ditto for eMusic.) But I have to admit, it's not surprising. First, I'd had a very similar experience with the portable version of Yahoo mp3 music Unlimited last year, using an iRiver T10. Second, since RealNetworks took over for Listen, which created Rhapsody, the service has been plagued by buggy software -- in particular, DRM-related bugs. The shift to version 3 was a near disaster for many users, who complained so loudly that the company advised them to re-install the previous version.

Before my clix arrived, a publicist for iRiver tried to head off DRM problems by advising me to download the latest versions of Rhapsody and Windows Media Player. That I did. Then I plugged in the clix and proceeded to assign it one of my Rhapsody playlists and a few channels. It spent the better part of the evening loading what appeared to be gigabytes worth of tracks, but when it was finally finished, none of the tracks would play. In fact, the clix ground slowly through each track, struggling in vain to make it play before moving on to the next, unplayable track.

Ultimately, I had to reformat the player and start over. After that, things worked perfectly for a while, and I really liked being able to load Rhapsody channels onto the clix. So what that it didn't seem to respond to my ratings; for example, it kept offering me more songs by the Doors despite my panning every track. I still liked having Rhapsody make playlists for me and load them directly onto the player, even if the process of downloading the tracks was painfully slow.

Sadly, the good times were too often interrupted by mystifying device flake-outs. One day the clix thought it was empty, even though it had a couple of gigabytes worth of mp3 music stored. Some of the personalized channels refused to be updated. And after about a week of usage, the clix refused to take any channels at all. Resetting and reformatting made no difference -- my clix was out of the channels business. Sigh. That's when I reached the end of my rope.

Every one of these problems almost certainly was a function of the DRM. And the fundamental problem here is that there's no one entity that can take responsibility for all the moving parts, in the way that Apple does with iTunes and iPods. (Yes, Microsoft is trying to emulate that model with the Zune, but I found the first version of the player buggy, too. The loaner unit I tried wouldn't recognize the Zune store, to name one glitch.)

I'm optimistic that Real can work the technical problems out eventually, just as the artists and labels that have stiff-armed Web-based mp3 music services are gradually relenting. And the $230 million cash infusion from MTV, which the joint venture will use to buy ads on (surprise!) MTV channels over the next five years, will help. Still, it's an uphill climb.

Updated Rhapsody stats courtesy of RealNetworks. Clix photo courtesy of iRiver.
iriver Clix Rhapsody 4GB Digital mp3 music and Video Player, Black (1clix4b)

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V Festival: Essex, no drugs, and rock & roll

Monday, August 20th, 2007

Michael Deacon reviews V Festival at Hylands Park, Chelmsford

Some rock festivals have fields to chill out in. Not V. It has the Palmolive Soft & Gentle Eden Escape Zone. At some rock festivals, bands play in big tents. Not at V. It has the JJB Puma Arena, the Strongbow Cider House, the Trident Gum Mastication for the Nation DJ van.
Pete Doherty's Babyshambles look like a proper band now

I bought a map of the site. It was almost impossible to read, being plastered with more corporate logos than a Formula One car. I wasn't born in time for Woodstock, but I have a suspicion it wasn't entirely like this.

Forget Glastonbury - V is the definitive 21st-century festival, all about love, peace and understanding the importance of communicating core brand values.

Anyone searching for the traditional festival spirit would have enjoyed Newton Faulkner, with his acoustic guitar, cardigan and ginger dreadlocks. He looks like a homeless Mick Hucknall. He shares Hucknall's knack for pleading-eyed cliché, too, but even so he's very likeable live: witty between songs, unashamedly sincere during them.

He's one of those rare singers who can transform a bland album into a light, affecting gig. Judging by the cheerfulness with which they sang along to his debut hit Dream Catch Me, everyone in the Ronseal KFC Topshop Pepsi Kronenberg Hippodrome agreed.

Amy Winehouse couldn't make it, poor love. You know you're in trouble when Pete Doherty is fulfilling more bookings than you are.

Not only did Babyshambles make it to the stage on Saturday, they managed to stay there for the time allotted. Pete even complained about not being allowed to play for longer.

It wouldn't have been a tragedy if they had played on, either. They genuinely do look like a proper band now: they keep time, they don't beat each other up, and you can almost hear some of the words. What Katy Did, from the second Libertines album, glistened like dew on a cobweb.

The songs from the new Babyshambles album sound stylistically like the songs from the last Babyshambles album - ie, the Smiths as heard with a dustbin over your head - but they've got more zip and zazz than before. Pete still sings as if his mouth is full of cotton wool, but it's better than when his veins were full of something else.

There was further hope for Pete in a storming set from Happy Mondays. Twenty years ago, Shaun Ryder and Bez were probably doing more drugs in the course of an average weekend than Doherty has done in his short life, but they're still here.

That's sadly more than can be said for their mentor, Factory boss Tony Wilson, who died two weeks ago. "I was gonna say let's have a minute's silence," said Shaun. Instead, they offered a far more fitting tribute: 50 minutes' racket.

Their set was mainly greatest hits, which is good, as Kinky Afro, Hallelujah and Step On have aged a lot better than their writers have.

It looked as if there was about to be another moving eulogy at the main stage, from Saturday's headlining Foo Fighters.

"This one's for the band I used to play drums for," said Dave Grohl. Pause. "As you all know, it ended far too soon." Pause. "Juliette and the Licks, man. I can't believe those guys fired me!" His timing was perfect - well, he used to be a drummer.

How did this happen? How did the drummer from the world's most miserable band (yes, I mean Nirvana, not Juliette and the Licks) end up as the singer in its jauntiest?

Foo Fighters can seem dark on record, but live they're a rush: a bouncy-castle Nirvana. The new songs, such as Cheer Up Boys (see?), are underwhelming, but only in the way a gale is underwhelming compared to a hurricane - because that's how surgingly powerful their old hits, such as Best of You and Breakout, are.

Unlike almost everything else at V, Foo Fighters are not emblazoned with sponsors' logos. I'd suggest Npower or Duracell.
Download Foo Fighters

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Rock diva Benatar takes her best shot at surprising fans

Monday, August 20th, 2007

Just when I was ready to give Pat Benatar and hubby Neil Giraldo a hard time for continuing to play the same old set list, they go and change it up on me. Thank heavens for small favors.

While there’s nothing at all wrong with Benatar’s standard fare, it’s become mighty predictable year in and out. But Saturday night in front of an enthusiastic half-capacity crowd at Bank of America Pavilion, she sprung a handful of genuine surprises.

With retro-looking straight, shoulder-length hair, belted black dress, boots and overcoat, Benatar, 54, kicked into high gear with the opening three-punch knockout of “All Fired Up,” “Shadows of the Night” and “I Need a Lover.” She kept the tunes fresh by modulating and extending her notes in unexpected spots while Giraldo, still the handsome bad boy in his pinstripe suit with chain wallet and

a white V-neck T-shirt, ripped out his trademark raunchy guitar alongside.

After “Invincible,” from what she called “one of the worst films ever made” - 1985’s “The Legend of Billie Jean,” starring Helen Slater - Benatar served up a string of shockers: The sultry, midtempo ballad “Painted Desert,” reworked for piano, featured a goose-bump-raising vocal that was delivered carefully. “River of Love,” a saucy blues jaunt from the overlooked 1997 “Innamorata,” sizzled with sass, while “Tradin’ Down,” from “Gravity’s Rainbow,” was the set’s grittiest moment. Yet another surprise, “Let’s Stay Together” (no, not the Al Green tune), culminated with Giraldo and drummer Chris Ralles dueling it out on adjacent kits.

The operatically trained diva can still hit many a high note, and when she couldn’t, the sheer power of her pipes compensated. The new, pared-down “We Live For Love” kept her vocals in the front seat, but the chorus was tastefully downshifted to remain within reach.

Casual listeners who came for the hits got their due toward the set’s end. But, save for a worthwhile run through “Promises in the Dark,” many of Benatar’s biggest fans could’ve left plenty satisfied without sitting through obligatory versions of “Hit Me With Your Best Shot,” ‘Hell Is for Children” and the closer, “Love Is a Battlefield.”

PAT BENATAR AND NEIL GIRALDO, with LENNON

At the Bank of America Pavilion, Saturday night.
Download Pet bENATAR mp3

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